Quite by accident the other night I caught a show on the Smithsonian channel about Folkways founder Moses Asch. This is the fascinating story of a man who made it his life mission to record all the non-commercial sounds of our world from 1948 to the year of his death in 1986. Over this period of time he made 2,200 albums. That is over one every week. The content includes the folk music of Africa, the Near East, the Far East, Appalachia , Cajun Louisiana, Chicago Blues, Texas Blues, bird songs, animal sounds, junkyard sounds, children songs and much more. He is responsible for the first surviving recordings of Mississippi John Hurt, Leadbelly, and many others thus allowing the rest of the world to hear unusual artists that would have been lost forever. He also produced the historic and legendary Anthology of American Folk Music edited by Harry Smith. His son has recently put together 26 one hour segments, called Sounds to Grow On, highlighting the vast collection that can be heard for free at the Folkways Smithsonian site. During his 38 year span at Folkways Moses Asch never allowed any of his recordings to go out of print. When the Smithsonian took over the collection the main agreement was that no title can ever go out of print. The Smithsonian continues to add eclectic recordings to the collection to this day. I take my hat off to such a wonderful non-commercial effort enriching us all. Oddly, one of the best selling recordings in the collection is an album of frog sounds with scholarly commentary. Enjoy!